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  • KISS OF LIFE Defends ‘Neck Strangling’ Choreography as Artistic Expression
  • K-Pop

KISS OF LIFE Defends ‘Neck Strangling’ Choreography as Artistic Expression

editor 4월 16, 2026
KISS OF LIFE Defends 'Neck Strangling' Choreography as Artistic Expression
Kiss of Life (S2 Entertainment)

K-pop girl group Kiss of Life has firmly defended its recent choreography, which features a prominent neck-grabbing move, amidst swirling controversy regarding its perceived overly sexual nature. The emerging K-pop sensation explained their artistic intent, clarifying that the bold move aims to showcase a confident side of the group’s evolving identity.

During a recent live broadcast on the popular fan communication platform Bubble, Kiss of Life members Julie and Belle directly addressed the concerns. They articulated that the specific movements, including the controversial neck-grabbing gesture, are integral to the group’s artistic expression, designed to convey a bold and self-assured facet of their performance.

“We’re always embracing new challenges in our artistry, and our intention is to showcase a bold and confident side of ourselves,” explained Julie from Kiss of Life. “While we understand that not everyone will interpret our work positively, we believe it’s incredibly important and admirable that we continue to challenge conventional norms and push our creative boundaries.”

The core of the K-pop dance controversy revolves around the intricate choreography for Kiss of Life’s latest hit song, “Who Is She.” A particular sequence, where members appear to enact a strangling motion, rapidly gained viral traction across various social media platforms. This distinct and visually striking move led some viewers to criticize it as being overtly suggestive and provocative, sparking widespread debate.

Dance challenge of Kiss of Life's
Dance challenge of Kiss of Life’s “Who Is She” (YouTube)

Further amplifying the public discourse, concerns significantly heightened as the music video and Kiss of Life’s associated “Who Is She” dance challenge permeated younger audiences. The viral nature of the choreography, particularly its widespread dissemination on youth-centric digital platforms such as YouTube and TikTok, raised questions about its appropriateness for impressionable viewers.

Addressing the growing criticism directly, Julie reiterated Kiss of Life’s stance, emphasizing that dance, music, and art are inherently subjective forms of expression. She affirmed that the group fully understands and respects the diverse “difference in perspective” that their work may elicit from fans and critics alike.

“However, it becomes particularly challenging and difficult for us when certain comments cross a line, becoming excessively personal and hurtful,” Julie shared, acknowledging the emotional toll of harsh critiques on the K-pop idols.

Julie further elaborated on the theme of individuality, stating that all women are “beautiful in their own unique ways,” advocating for a rejection of singular beauty standards. She lamented, “Yet, often, anything that deviates from these established norms is unfortunately perceived as strange or unconventional,” tying back to the group’s innovative approach.

Meanwhile, fellow Kiss of Life member Belle echoed a similar sentiment, asserting that the K-pop girl group is committed to humbly accepting and considering constructive feedback from their audience and industry peers.

junheee

Klook.com
Tags: Artistic Choreography Defends Expression Kiss Korean music Kpop kpop star Life Neck Strangling

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